Introduction to

The Commission Model:

The Hexham Hospital Garden

“I have a dream that has not yet been realized; I would like students, not to learn what their teachers teach them, but to be people who solve problems in the outside world that their teachers bring to them. The job of school principals should be to go out into the real world and find tasks. I dream of schools working with real tasks, rather than learning about things in class ... This is actually a radical way of learning, I want students to be citizens of the world. The Commission Model brings Mantle of the Expert to the real world.”  - Dorothy Heathcote

(Source: Özen / Adıgüzel)

In the Commission Model, a real commission from a client - like the designing of a hospital garden -  forms the basis for a programme of teaching. It brings together two things: learning together; and effective participation in society.

 

The system was devised by Dorothy Heathcote. In this introduction, we describe Dorothy's work on a "Commission"; and also outline her two "categories" of commissions.

This Guide to the Commission Model was produced as part of an Erasmus Plus project with partners across the EU.

In 2003, Dorothy wrote:

A year ago Mr Forsey, representing Northumbria Health Authority, who are currently building a new NHS hospital in Hexham, approached Diane Harris, deputy head of the Queen Elizabeth High School. He enquired whether students from the school would be responsible for designing the hospital garden to be used by patients, staff and visitors when all is completed in 2004. Thus I was given the opportunity to try out a system of teaching I have called “The Commission Model”. This commission model provides a sense of authenticity and responsibility for students, for there are clients to be consulted and their precise needs to be taken into account. The final outcome must then be “published” in whatever form the commissioners decide. [Source: Vision]

The “commission” in question involved a team of nine teachers. They brought different skills and offered different kinds of input; they were from Psychology, Drama and Theatre, English, Biology, Classics, Geography and Physical Education. There were 34 student volunteers of mixed ability from Year 9.

The “curriculum” emerged from the commission itself – as the team considered what they would need to know, to research, to define, in order to fulfil the “brief.” This included the biology of plant growth, creating a scale model, reading hospital plans and evaluations, etc. 

This is how Dorothy describes the way the commission team operated when they met:

 

We worked in the drama room using moveable tables and chairs and wall blackboards. Our equipment was the usual paper, pens, card and students’ pencil cases with access to the biology lab and computer room, when there was space, plus the rostra, costume box and lights. These, then, were the conditions. [Vision]

 

(To find out about how Dorothy integrated drama into this “real-life” commission, see here.)

Finally, the team shared their garden plans with a hospital committee made up of senior medical staff and site engineers. The Landscape Architect for the garden, John Goodfellow, stated that the final design concept drew heavily on the work carried out by the children.

Types of Commission

 

"There are literally thousands of commissions waiting to be taken up so that schools and community become more and more and interdependent." (Dorothy Heathcote)

Dorothy envisages two types of commission that schools could undertake: commissions within school; and from the community.

​​1. COMMISSIONS WITHIN SCHOOL

These are commissions invented by teaching staff to serve specific purposes related to the curriculum; this need not involve working with outside agencies. This is Dorothy’s example:

 

A simple commission may be a request for a clippy mat, or collage, to be used by a nursery class. This would have to be introduced in a realistic believable way to a group of children who need measuring, designing vocabulary skills as well as opportunity to share and collaborate. ... You don't need a lot of imagination to see how this commission will yield curriculum work in number, measuring accurately, designing textures, designing ... [etc.] [Source: Contexts]

2. COMMISSIONS FROM THE COMMUNITY

 

Groups and organisations in the community act as “commissioners.” These might include: museums; charities; libraries; businesses, etc. Here is an example:

 

… a piece of derelict land was transformed when a head teacher out in her car … saw the site as a possible play area where none existed. … This area is now a children's playground, and some low maintenance gardens with benches made with local gifts and contributions from gardeners plus a dog walking area and dog bins. … There are many such examples about where someone sees a need and facilitates change based upon local ideas and energy. [Source: Contexts]

For Dorothy, a hot air balloon best illustrates the Commission Model: "The basket supports the human energy which produce the power to sustain and guide the enterprise. It contains and limits but clearly defines the parameters of the enterprise. The strings supporting the basket to the canopy are the skills and knowledge and conviction which drive the process towards its conclusion. These will be many and various strands which are carried upwards and collected in the canopy driving the work forward to its destination." [Source: Contexts]

In this Introductory Guide, you will find sections on:

​DELIVERING THE CURRICULUM

WHAT ARE SOME OF THE KEY DIFFERENCES BETWEEN THE COMMISSION MODEL, AND MANTLE OF THE EXPERT?

USING DRAMA IN THE COMMISSION MODEL

STEWARDSHIP

TRAINING WITH LUKE ABBOTT

TRAINING WITH DAVID ALLEN

 

Go to the next page: DELIVERING THE CURRICULUM

​Sources of quotes:

“A Vision Possible: The Commission Model of Teaching” by Dorothy Heathcote. In: Drama: One Forum, Many Voices, Winter 2003 (Vol. 11 No.1). Available here.

“Contexts for Active Learning: Four models to Forge Links Between Schooling and Society.” Presented at the NATD conference, 2002. In: Dorothy Heathcote on Education and Drama: Essential Writings, ed. Cecily O'Neill. (Routledge 2014). Available here.

Özen / Adıgüzel: "Dorothy Heathcote’s Creative Drama Approaches" ("Dorothy Heathcote’un Yaratıcı Drama Yaklaşımları") by Zeki Özen and Ömer Adıgüzel. In: Creative Drama Journal, 2010, Volume 5, Issue 9-10). Available here.

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